Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Camille Pissarro
Sitting in the garden of the maids

ID: 57856

Camille Pissarro Sitting in the garden of the maids
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Camille Pissarro Sitting in the garden of the maids


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Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;  Related Paintings of Camille Pissarro :. | Vegetable Garden at the Hermitage near Pontoise | Schnee in Louveciennes | Schwarz Metaponto the outskirts of the orchard | fence | Briqueterie a Eragny |
Related Artists:
Antoine louis barye
French Romantic Sculptor and Painter, ca.1795-1875, He was a French sculptor most famous for his work as an animalier. Born in Paris, Barye began his career as a goldsmith, like many sculptors of the Romantic Period. After studying under sculptor Francois-Joseph Bosio and painter Baron Antoine-Jean Gros he was in 1818 admitted to the Ecole des Beaux Arts. But it was not until 1823, while working for Fauconnier, the goldsmith, that he discovered his true predilection from watching the wild beasts in the Jardin des Plantes, making vigorous studies of them in pencil drawings comparable to those of Delacroix, then modelling them in sculpture on a large or small scale. In 1831 he exhibited his "Tiger devouring a Crocodile", and in 1832 had mastered a style of his own in the "Lion and Snake." Thenceforward Barye, though engaged in a perpetual struggle with want, exhibited year after year these studies of animals--admirable groups which reveal him as inspired by a spirit of true romance and a feeling for the beauty of the antique, as in "Theseus and the Minotaur" (1847), "Lapitha and Centaur" (1848),
NIEULANDT, Adriaen van
Flemish/Dutch painter (b. 1587, Antwerpen, d. 1658, Amsterdam).
James Barry
b.Oct. 11, 1741, Cork, County Cork, Ire. d.Feb. 22, 1806, London, England. Irish James Barry Gallery was born on 9th November at Captain Lieutenant Bouchiers quarters at the Old Train Barrack Yard in Ann Street, Belfast, Co. Antrim in the north of Ireland. Although Barry lived his adult life as a man, his true gender is unknown. It is widely accepted that Barry was a woman who chose to live as a man so that he might be accepted as a university student and be able to pursue his chosen career as a surgeon.






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